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Pavan Rajurkar captures a busy moment at the fish market. Part of his artist series - Bombay Fish Market.
A visual representation of how Sachin Bhatt feels while listening to some sweet synthesisers at work.
Tashita Mukherji's mum always said to wear the brightest coloured clothes during winter.
Tsujigiri shows the warrior's true nature. More machine than man. Sahil Shah is inspired by 3 iconic symbols of Japan - the samurai, the robot and the cherry blossom. He explores the brutal and the sublime through two ancient practices...
Kunel Gaur sees you everywhere. You, the me from your point of view. Part of his artist series - Area 51.
Studio Kosh's version of Ganesha. Ganapati. Gajanana. Vighnaharta. The lord of all beginnings, the destroyer of obstacles, bringer of happiness. In a pose inspired by Pattachitra depictions — a traditional painting styles from the state of Odissa.
Ashwin Joharapurkar uses typography to put a delightful new spin to traditional Hindi 'muhavras', or sayings. This one speaks of the value a monkey might see in an overpriced iced drink.
Arjun Makwana makes fluid portraits of Indian vendors and sellers, and the goods they sell - such as kulfi, the denser, creamier Indian version of ice cream.
In her artist series titled - Garden of Eden, Tanaya Sharma seeks solace in nature — nestled in a bed of sweet-smelling roses.
An illustrated interpretation of the patterns and movement around the burkha sellers In the evening at Mohammad Ali Road, one of the busiest streets in Mumbai. Limited 1st Edition of 15, two-color serigraphy - royal blue, on EPSON enhanced matt paper...
Mira Malhotra gives a face to the movement of "Think Local", heralding a return to the rich culture of Indian handicrafts.
Aviral Saxena admires the highly 'driven' breed of mechanical heroes that weave through the streets of Mumbai helping everyone from corporate monkeys to nightlife junkies. Meet Omega Bot whose thirst for cutting chai keeps it's engines running.
In his artist series dedicated to the quintessential pushcarts (thela) of India - Carts, Ranganath Krishnamani features Gangamma's cart. A popular cart buzzing with activity on the bylanes of old airport road.
Kanika Sethi documents the Padayani dance mask from Kerala. Her series - Masks of India, portrays stunning masks — both ritualistic and decorative — from across the country.
Nilesh Kulkarni abstracts the warmth of the golden hour into a measured composition of soft autumn colours.
Jayesh Raut's Agiary Statue was inspired by one of the stone sculptures at the entry of Bai Pirojbai Dadabhoy Maneckji Vatcha Agiary of Bombay. The Vatcha Agiary is one of the most visible Parsi fire temples in town. Part of...
Ashwin Joharapurkar's traveller walks through many mirages, before he finds what he is truly looking for. Food.
Shreyansh Agarwal's typographic representation of greetings — in Bengali, Punjabi, Telugu, Tamil, Malyalam, Gujarati, Odia, Urdu, Hindi and English — draws inspiration from yellow Amaltas flowers that bloom in the summer.
Sri Hari Kanth Venna surveys and draws up a two dimensional ‘Nolli’ map of Mumbai using Italian architect Giambasta Nolli’s unique method of graphic representation that allows one to observe and understand the flow of the city.
Anjali Mehta's ode to the kids who hang out on the street corner.
Furqan Jawed puts a dramatic spin on traditional calligraphy. Rendered in gorgeous flowing strokes is the Urdu word for love, Ishq.
“Everything grows, but the trees!” Rohan Sharad Dahotre expresses outrage and raises alarm at unchecked consumption and excess fueled by technological advancement. He highlights its inverse impact on wildlife and the environment.
Kashmira Sarode portrays Hanuman, Rama's most trusted and devoted vanar. Also the head of monkey militia. Part of her artist series - Dieties.
In her series - Women of Kanadukathan, Taarika John potrays the women she observed while visiting Tamil Nadu’s Kanadukathan village and Thanjavur. The background patterns are inspired by Athangudi tiles, a style of hand-made tiles from the Chettinad region.
In his series - Classic Rides, Broti Bhattacharya steers down memory lane in this classic Japanese make.
Lokmanya' Tilak was a social reformer and freedom fighter, prime architects of modern India and strongest advocates of Swaraj (Self Rule). During freedom struggle, his slogan –Swaraj is my birthright ” inspired millions of Indians.
Muhammed Sajid's Tokyo is rendered in stunning detail depicting the beauty of the Rainbow Bridge lit by a setting sun.
Aziza pays tribute to the Begum of Agra with this exquisite pattern, inspired by the craftsmanship and world-famous stone-work at the Taj Mahal.
“I found myself within a forest dark, for the straightforward pathway had been lost…” wrote Dante. In a nod to the symbolism of the Unknown, Sachin Bhatt illustrates his own dark forest. He nudges us to dive in, only to...
In his artist series titled 'Childhood', Roshan Gawand reminds us of simpler times. In the midst of the sun-kissed orchard, their prize in clear sight, the village boys take aim.
Ashwin Joharapurkar reminds us that in a world where everything is free, we are the product. Data has surpassed oil to be the most valuable resource in the world.
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
Avinash Jai Singh's jar of space is for every relationship. You don't know it yet but you need it.
Kshitiz Sharma wonders where we're going. Up and up, and down, and down. Part of his artist series - Where To?
Ranganath Krishnamani captures ancient Indian architecture in his artist series - Hampi. Intended to give a vantage point to prison guards, Hampi's large and carefully constructed watchtower lies in ruins.
Curious about cities and their stories, Venna Sri Hari Kanth explores and maps them out in striking style. In his artist series Tracing Cities, he draws up the streets, blocks and details that comprise the city of Mumbai, India.
Sachin Bhatt uses this illustration as a means to address the young Indians who are often embarrassed about many aspects of Indian culture and are preoccupied with the notion of being associated with Western ideas and concepts. It is important...
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
Jasjyot Singh Hans' Faulaadi is the ass-kicker all girls secretly want to be. Aware of her strength, her rights and her bad-ass attitude.
In his artist series - Civilian Salute, Nakul Talgeri celebrates the silent heroes in the fight against Covid-19. It’s not an easy job, even on a regular day, let alone during a pandemic.
Bahubhashi when translated to english means multilingual. Shreyansh Agarwal explores some of india's most spoken languages, i.e. Devanagari, Bengali, Gujarati, Urdu, Tamil, Odiya & Kannada.
In his artist series - Civilian Salute, Nakul Talgeri celebrates those who are working despite the hardships and the immense pressure to find a cure for the Covid-19 pandemic.
In his artist series - Here and Now, Reshidev RK sets the mood. He distills the nuances of "her" mundane routine in a series of colour heavy, hyper real scenes. She marches across the soft shores and into the sky.