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100+ ARTISTS | 1,000+ ARTWORKS | KULTURE SHOP IS NOW CLOSED
Mehek Malhotra ponders the nature of our performative selves on the internet. Part of her artist series - Sasti Baat.
As climate change and overpopulation drive more species to endangerment, Mayur Mengle draws attention to the gorgeous specimens from our own country that are disappearing from their habitats in his artist series - Common Goes Uncommon. Here he paints a...
A capital state of mind. Sheeji Kaul's artwork is a typographic exploration of the city.
In his artist series - Life of a Circle, Nilesh Kulkarni juxtaposes ‘living’ shapes in shades of pink, off-white and black. In this composition, the circle grows to reveal itself in the foreground.
Kunal Anand overheard this statement in a conversation between Scroll.in editor Naresh Fernandes and Samir Patel. The debate continues.
Avinash Jai Singh's jar of space is for every relationship. You don't know it yet, but you need it.
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
Mehek Malhotra observes the lack of strong, female mascots and urges us to champion women. Part of her artist series - Sasti Baat.
From a series mostly depicting abstract surreal landscapes, where meaning isn't absolute, Sanchit Sawaria moves consciousness from the organic sphere to the digital.
Kunal Anand celebrates the icons of Bombay with pastel colours and minimal silhouettes. Here he picks Jehangir Art Gallery — which has helped establish a platform for innumerable artists since it was founded in 1952. Part of his artist series...
Praveen Yarramilli turns his sharply observant eye onto the rapidly expanding metropolis of Gurgaon. A glimpse of the mundane in the city. Part of his series - Life At Gurgaon.
Karan Kumar observes that obsession with academic success is as common as chai-biscuit in India.
Vijay Krish's representation of one's inner demons taking over the mind and body in a most serene manner.
Prashant Hande masterfully showcases the various elements that make up India.
Varshini Ramakrishnan depicts a dramatic and emotional gesture characteristic of South Indian cinema. In this scene, the lady gasps in horror. If only we were privy to the contents of the letter!
Pavan Rajurkar oberves workers in their routine at the Bombay fish market. Part of his artist series - Bombay Fish Market.
Ashwin Joharapurkar sees us as we are — a tiny marble on the playground of gods.
Muhammed Sajid portrays Shaantha and her long nights. Part of his artist series - Kerala Folk.
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
Jas Charanjiva connects the dots and encourages the public to question everything from the industry-driven food pyramid to the gender gap to overpopulation with her series "You Snooze, We All Lose".
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
In her artist series - Retro Futurism — inspired by Tamil motifs in Indian architecture and culture, Osheen Siva creates a fierce, all-seeing space craft.
Haathchalakhi means sleight of hand in hindi. Mira Mahotra reimagines the swiss army knife as a multi armed mythical tool to assist you in all your adventures.
Varshini Ramakrishnan depicts, in the most innocent of ways, how we await the arrival of good days — as one waits for the arrival of a most dear guest, anxiously trying to catch a first glimpse from the balcony.
Shruthi Venkataraman breaks stereotypes with her artists series by showing women wearing the traditional Indian sari in their unique style - in this case, while smoking a cigarette.
“Remember Pi, the world reflects your fear. Replace your Fear with Strength (and the world will change).” Created by Shilo Shiv Suleman — part of the collection - Beauty Saves.
Avinash Jai Singh reminds us to keep your stars, under those scars.
Kashmira Sarode portrays one of the most controversial love affairs in Hindu mythology, that of Radha and Krishna.
Praveen Yarramilli turns his sharply observant eye onto the rapidly expanding metropolis of Gurgaon. Using bright, primary colours he manages to capture the details that are often overlooked, part of his artist series - Life At Gurgaon.
Praveen Yarramilli turns his sharply observant eye onto the rapidly expanding metropolis of Gurgaon. Gates are a kind of cage, part of his series - Life At Gurgaon.
In her artist series - Retro Futurism — inspired by Tamil motifs in Indian architecture and culture, Osheen Siva creates a futuristic portrait of an Indian goddess.
Sajid Wajid Shaikh illustrates the mechanism of life to show us what goes around comes back around.
Praveen Yaramilli turns his sharply observant eye onto the rapidly expanding metropolis of Gurgaon. He captures the defining premises of the city - malls.
Kshitiz Sharma wonders where we're going. Up and up, and down, and down.
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
Kanika Sethi documents the Nazar Battu mask. Her series portrays the stunning masks - both ritualistic and decorative - from across the country.
South Indian women usually wear a garland of jasmine flowers (Mallige in Kannada) in their hair as a symbol of their husbands "love" which they have supposedly accepted. This artwork by Sachin Bhatt is a commentary on forced arranged marriages...
Manu Ambady's artist series - Lost in The Crowd is his ode to Indian market vendors and street side entrepreneurs. Here he pays tribute to the common bag seller.
Vibhav Singh documents the environmental dystopia that has now become reality. Keep your O2 tanks aplenty for you won't get a puff more.
Sahil Shah showcases the lifespan of an empire - the downfall is characterised by revolution, civil war and clashes amongst cops and civilians.
Jasjyot Singh Hans' Faulaadi is the ass-kicker all girls secretly want to be. Aware of her strength, her rights and her bad-ass attitude.
Priyanka Karyekar captures one of the heroes of India's freedom movement - Bhagat Singh.
Rohan Jha depicts the paradox of cigarettes with his YOLO packaged box.