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100+ ARTISTS | 1,000+ ARTWORKS | KULTURE SHOP IS NOW CLOSED
Bahubhashi when translated to english means multilingual. Shreyansh Agarwal explores some of india's most spoken languages, i.e. Devanagari, Bengali, Gujarati, Urdu, Tamil, Odiya & Kannada.
Praveen Yarramilli turns his sharply observant eye onto the rapidly expanding metropolis of Gurgaon. Public transport is often where you will find the heart of the city. Part of his series - Life At Gurgaon.
Nikunj Patel's take on the fusion of the urban and traditional in the multicultural brew, that is, Dharamshala.
“Khoon Ki Baarish” literally translates to “rain of blood”. This witty artwork is Shiva N's tribute to the Hindi television crime shows of the 90s.
In his artist series - Discover India, Ranganath Krishnamani features the Charminar. The pride of Hyderabad, this landmark has become a global icon and forms the epicentre of the city, metaphorically representing the crossroads between old and new India.
Nilesh Kulkarni plays with shapes and colours to create subliminal pattern inspired by a vintage indian tantra pattern.
Praveen Yaramilli turns his sharply observant eye onto the rapidly expanding metropolis of Gurgaon. These vignettes of life from the city capture moments of growth as well as the quiet breaks in between.
Lost in The Crowd is Manu Ambady's ode to Indian market vendors and street side entrepreneurs. Here he pays tribute to the common bag seller.
Nisha Sethi's direct stfu to the potus in bright, sunny colours.
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
Literally translating to a rain of blood, this witty artwork is Shiva's reminisce of the 90s hindi television crime shows.
Inspired by the Ritusamhara - a charming poem by Kalidasa, this series captures the celestial play of the Indian seasons entwined with associated festivities, hues and icons. Here we see the magic and majesty of hemanta/pre winter.
Priyanka Karyekar captures the deeply soothing feeling of taking that first sip of chai.
Praveen Yarramilli turns his sharply observant eye onto the rapidly expanding metropolis of Gurgaon. These vignettes of life from the city capture moments of growth as well as the quiet breaks in between. Part of his series - Life At...
Sajid Wajid Shaikh constructs a picture of a sweet slice of a lovely day in his city of Bombay.
Gorgeous indie actress Kalki Koechlin collaborates with Sameer Kulavoor on this piece inspired by super-kitsch 80's Bollywood. Govinda as superman and bright pops of colour make a comeback from when our films were a lot more fun, and far less...
Ranganath pays tribute to four iconic Indian monuments in his Discover India artist series.
In his artist series - Unmoved, Sajid Wajid Shaikh uses minimal forms and colours to document his fellow co-passengers glued to their screen.
On his travels to Rajasthan, Ashwin Joharapurkar realises that every exit is an entrance to somewhere new.
Arjun Makwana makes fluid portraits of Indian vendors and sellers, and the goods they sell. She sells balloons.
Nilesh Kulkarni plays with shapes and repetition, and finds joy in symmetry.
Ravi Arora creates a digital version of some thing he's always been fascinated by - Islamic architecture and geometric patterns.
Lokesh Karekar graphically explores the imaginary, surreal and exotic world of Musa (Banana). He plays with the form to leave you to an undiscovered space. Limited Edition of 15, Four Colour Screen Print, On Arjowiggins (Grey) 150 GSM Paper, Hand-Signed & Numbered,...
Shagun Puri conveys nostalgia and longing with her digital collage.
Kavya Bagga's version of Jaipur, the capital city of Rajasthan. A city of palaces and history.
Lokesh Karekar graphically explores the imaginary, surreal and exotic world of Musa (Banana). He explores form to create an imaginary landscape - letting you wander. Limited Edition of 15, Four Colour Screen Print, On Arjowiggins (Grey) 150 GSM Paper, Hand-Signed & Numbered,...
Mayur Mengle's editorial illustration for a story in The Soup Magazine. Titled 'Three Cans of KC Das roshogolla, please', the story explores the cravings that can only be found at the dusty kiraana store in the locality.
You may not be watching, but it's watching you - Tashita Mukherji's artwork.
Mira Malhotra's retro-style satire on the now defunct railway platform weighing machines. A tongue-in-cheek commentary on metro mumbai, the city of dreams, and the aspirations of its disillusioned working class migrants.
Tanya Bhandari romanticizes her camera — the never-failing champion of magic and memories.
Nikunj Patel's pattern that talks about the concealed communal discrimination and conditioning that's been happening and is being propagated in the Indian context (though not limited to it).
Yash Prajapati plays with type to recreate the health warning found on cigarette packets.
Ashutosh Dhanawade has seen the lanes of Bombay thousands of times. As he tries to remember them, by way of architecture or people, it all overlaps. This artwork is the overlay of all those memories.
Taarika John presents a portrait of a lovely maiden against the backdrop of a twilit sky.
In her series - Women of Kanadukathan, Taarika John potrays the women she observed while visiting Tamil Nadu’s Kanadukathan village and Thanjavur. The background patterns are inspired by Athangudi tiles, a style of hand-made tiles from the Chettinad region.
Shreyansh Agarwal explores the first four consonant letters of devanagari in a playful calligraphic styles.
In his artist series titled Historic India, Ranganath Krishnamani leads us on a trail of heritage monuments that dot the Indian landscape.
Broti Bhattacharya's celebration of where the fervour for cricket originates from in India — on every street.
Nilesh Kulkarni plays with shapes and colours to create subliminal pattern inspired by a vintage indian tantra pattern.
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
In her artist series - Tribal Tales, Tanaya Sharma celebrates the strength, resilience and beauty of the Ao Naga women of Nagaland. They transfix us with their wise eyes and the kindest smiles.
Mehek Malhotra ponders the nature of our performative selves on the internet.
There are many pathways to a single destination. Find your own. In his series - Tantra Forms, Nilesh Kulkarni creates Tantra inspired compositions in black and off-white.
Deepti Sharma's sketch documents the different attires of different girls in her life.
Inspired by the Ritusamhara - a charming poem by Kalidasa, this series captures the celestial play of the Indian seasons entwined with associated festivities, hues and icons. Here we see the calm and festivities of sharad or autumn.
Priyanka Karyekar captures the heroes of India's freedom movement — Bal Gangadhar Tilak. Part of her artist series - The Republic.
Midival Punditz is one of the most prolific Indian electronica acts. In 2019, they released a set of three EPs. Rootha Yaar uses the sounds of traditional folk instruments. Artwork by Nikhil Kaul — part of the series - Nukhta...
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.