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100+ ARTISTS | 1,000+ ARTWORKS | KULTURE SHOP IS NOW CLOSED
An infinitely tessellating maze in Shiva n's creation, the pattern generating typeface "labyrinth" - based on traditional geometric kufic styles calligraphy.
Ameya Kulkarni is inspired by singer, songwriter and poet Jim Morrison's quote — Expose yourself to your deepest fear. After that, you are free. Part of his artist series - Vitae.
Using the platform of a fictional governmental organization, Jas Charanjiva reminds us that Ôboys will be boysÕ is a lazy excuse and that respect and consent can be taught from an early age.
Aziza Iqbal weaves hypnotic patterns with pen on paper. The Surrealist Jaali is the state of our lives as a tangle of interconnections, the harmonious labyrinth where isolation is a phenomenon of the past.
In Jayesh Raut's Party Miniature series, he puts a modern dating twist on Mughal miniature paintings, setting them up on a beer and martini date.
In Jayesh Raut's Party Miniature series, he puts a modern dating twist on Mughal miniature paintings, setting them up on a beer and martini date.
A set of 29 illustrations of brides from 29 states of India, dressed in their traditional bridal attires, this series aims to bring to light the "Ideal Bride" and it's unfair patriarchal peripheries, looping in the diversity of the nation...
Avinash Jai Singh's jar of space is for every relationship. You don't know it yet but you need it.
Mehek Malhotra shares her observations and learnings in life via colorful, kitsch matchboxes.
A set of 29 illustrations of brides from 29 states of India, dressed in their traditional bridal attires, this series aims to bring to light the "Ideal Bride" and it's unfair patriarchal peripheries, looping in the diversity of the nation...
LokeshKkarekar delivers a playful experiment using the letter forms in the Devanagari typeface accompanied by subte touches of revolutionary change.
Jas Charanjiva warns against messing with an Indian woman ready for modern times.
Priyanka Karyekar illustrates recipe of the iconic Indian summer drinks - Chaas.
In his artist series - Secret Garden, Ranganath Krishnamani illustrates an aloe plant with colourful buds.
Anant Ahuja believes the essence of Mumbai is marred by its usual depiction — over-populated and dirty. This print focuses on its iconic and ambitious architecture.
Midival Punditz is one of the most prolific Indian electronica acts. In 2019, they released a set of three EPs. Purvayi means "Easterly Winds", and is the third and final one of the series. Artwork by Nikhil Kaul — part...
Abhilash Baddha wittily shows that virtual promises don't ensure better realities.
Kanika Sethi documents the Tsam dance mask. Her series portrays the stunning masks - both ritualistic and decorative - from across the country.
Ravi Arora depicts a blueprint of the iconic Delhi University campus.
Ravi Arora creates a soil map of India from a geometric perspective — a twist on the maps he used to work on in Geography lectures.
In her artist series - Bombaywale, Shruthi pays homage to the stalwart citizens who ply their trade come rain or sun. Weaving through the city on three wheels, here is our dashing autowala. Navigating by his own unique sense of...
In his artist series - Discover India, Ranganath Krishnamani features the Gateway of India. A historically iconic landmark set in Mumbai, it denotes a free India opening her doors for new horizons to everyone who arrives at the port.
In his artist series titled Fantastic Felines, Rohan Sharad Dahotre’s draws attention to the wildcats of India. He depicts the elusive Caracal wildcat or the “Siya Gosh” with its distinct long ears and pointy tips.
Like everything else, Ameya Kulkarni has lost his train of thought.
Tashita Mukherji illustrates the droste effect. Known as 'mise en abyme' in art, it is the effect of a picture appearing within itself, in a place where a similar picture would realistically be expected to appear.
Mohini Mukherjee illustrates the breakfast of patriots where ignorance is bliss. Start your day with sugar coated facts, with a healthy side of bullshit.
Kashmira Sarode pays tribute to the Indian tradition of decorating holy animals in her series.
Mira Malhotra explains the trials and tribulations of the typical kaamwali bai, and how she juggles her time between different odd jobs.
Mira Malhotra depicts a surreal all-seeing pear that pairs up with the apple of it's eye.
Spices are essential to Indian cooking. These are hot badges full of flavour.
In her artist series - Goddesses, Shruthi Venkataraman reinvents the colourful existence of the goddess of knowledge.
A part of Kashmira Sarode's Decorated Animals, the Elephant is central to Indian festivals, Transformed into a creature representing prosperity and good luck, yet remaining surprisingly docile.
Varshini Ramakrishnan depicts the synergy of soulful connections through playful symbolism. The neatly coiffured and entwined braids, create an everlasting bond.
In a series of nostalgic city maps titled 'City Life', Venna Sri Hari Kanth has us travel across geographies and history — in Galle, Sri Lanka.
Rohan Dahotre illustrates the noble tiger in detail. Part of his artist series - Curious Animals.
Noopur Choksi recounts those hot summer days when our feelings have feelings!
Ranganath Krishnamani depicts the joy of fresh summer showers, even if only from the confines of the patio, just like a child who whole heartedly embraces the goodness in every situation.
As a lover of motorcycle riding and vintage bikes, Muhammed Sajid recreates one of his favourite models — the BMW machine. Part of his artist series - Bikes.
Mehek Malhotra believes that opinions are like onions - some people avoid it, others eat it with a salad and it makes some people cry.
Meroo Seth's artwork explores the type 'M' by combining it with monument illustrations to give it an abstract yet playful theme.
In his artist series, Sahil Shah showcases the lifespan of an Empire. The rise begins with an increasing control over media, and a subdued populace.
Ameya SK maps the lifeline of the city - the Local train.
In his artist series, Sahil Shah showcases the lifespan of an Empire. The reign is signified by spreading war, hoarded wealth and the first cracks in the face of authority.
The society-driven notion that we’re in limbo if we’re a single woman in our 30’s (or doomed if we’re unwed in our 40s), gives basis to all that advice on where to find a nice boy and how to keep...