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100+ ARTISTS | 1,000+ ARTWORKS | KULTURE SHOP IS NOW CLOSED
Love! Crime! Interstellar Terror. The third anthology of Tamil Pulp Fiction by Blaft Publications fetaures six short novels.
Praveen Yaramilli turns his sharply observant eye onto the rapidly expanding metropolis of Gurgaon. Gates are a kind of cage.
There is such an intensity of colour in India that Muhammed Sajid doesn't need to look anywhere else for inspiration. From our spice markets to our clothes, India defines colour and vice versa. Part of his artist series - Indian...
In his artist series - A Country Life, Roshan Gawand gives us a peek into a spicy summer ritual. Shading away from the blazing sun, the lady of the house sets her red, hot chillies out to dry.
Reshidev RK's artist series - Stree is a set of stunning portraits of women from his hometown Kerala. Here is a woman with a white crane.
In his series - Classic Rides, Broti Bhattacharya illustrates the roomy, solid black “Taxi” cab — Britain’s iconic hackney carriage.
As a lover of motorcycle riding and vintage bikes, Muhammed Sajid recreates one of his favourite models — the Indian Motorcycle. Part of his artist series - Bikes.
This piece was the result of an experiment where Sanika Phawde made a list of random words and visually juxtaposed them to create a rebellious environment.
One in 28 brides, from a series of illustrations entitled Adarsh Brides by Mallika Singh, The series is a satirical take on the practices of patriarchy that travel through the diversity of India.
Sajid Wajid Shaikh explores the idea of humans turning into machines and going about their everyday lives unaware. He captures our reaction when we randomly encounter another who has also turned into a machine — freakishly startled at our fellow...
In his artist series ‘Faces’, Muhammed Sajid sketches out evocative character portraits of Indian women and men that tell their stories. He gives us a glimpse of the feisty dame with flowers in her hair.
Arjun Makwana makes fluid portraits of Indian vendors and sellers, and the goods they sell. He sells the bansuri, an Indian flute.
Tashita Mukherji's surreal take on things are not always what they seem.
Bad to the bone. Sanchit Sawaria's artwork reading "galat" meaning wrong/bad in Hindi is a cheeky play on society's love for labelling people.
Kanika Sethi documents the Nazar Battu mask. Her series - Masks of India, portrays stunning masks — both ritualistic and decorative — from across the country.
In his artist series - Inside The Box, Ranganath Krishnamani shows the street side flower seller with fragrant blossoms, inside the basket.
In a series titled Stop the Spread, Shantanu Suman cautions us: “Sat Mat Pagle Beemar Ho Jaayega” — Don’t come close, you’ll fall sick. It is inspired by a popular slogan often found behind Indian trucks: “Hass Mat Pagli Pyaar...
In the intricate art of the Gond tribal community of central India, decorative patterns fill the surface of images in amazing profusion. Signature is a rich compedium of Gond patterning. Each pattern comes with its own unique explanation„helping us make...
Studio Kosh's version of Saraswati. Sharada. Vinapani. Vagdevi. Mahavidya. The white goddess of wisdom — Saraswati comes riding her hamsa that glides untouched by the waters of the material world.
Using the platform of a fictional governmental organization, Jas Charanjiva reminds us of the benefits of "Hum do, Hamarae Do". Part of her artist series - You Snooze, We All Lose.
A part of Kashmira Sarode's artist series - Decorated Animals, the Elephant is central to Indian festivals — transformed into a creature representing prosperity and good luck, yet remaining surprisingly docile.
Using a photo-montage of close to 350 facades of Copenhagen, Siddharth Dasari gives us a one view shot of how the city and its different neighborhoods look like.
Bahubhashi when translated to english means multilingual. Shreyansh Agarwal explores some of india's most spoken languages, i.e. Devanagari, Bengali, Gujarati, Urdu, Tamil, Odiya & Kannada.
Lost in The Crowd is Manu Ambady's ode to Indian market vendors and street side entrepreneurs.
Rohan Jha depicts the paradox of cigarettes with his YOLO packaged box.
Yash Pradhan explores shapes and compositions to capture the idea of self-revelation — the disclosure of one's private feelings, thoughts, especially when unintentional.
Prince Lunawara recounts India’s migrant crisis. In the summer of lockdowns, with no relief or resources, impoverished migrant workers bundled up their lives. Women, young and old, mothers with burdens — seen and unseen — carried their children back to...
Sanika Phawde made five illustrations portraying an original poem titled, 'Screaming Silence'. Concealer hai? Depicts the final stanza of the poem.
In his artist series titled Finding Home, Rohan Sharad Dahotre depicts migratory birds in their natural habitats. Here, the long-legged Black Winged Stilts journey into shallow, marshy wetlands.
‘The tiger and the jungle are a part of each other.’ In this artwork, Rohan Sharad Dahotre illustrates synergetic relationships within the natural world. The trees, the tiger and all living creatures live in perfect balance and harmony within this...
Mira Malhotra takes you on a journey beginning from the bazaar and ending in a warm traditional Indian homestead, combining indigenous kitsch with traditional notions of hospitality to create a contemporary minimal series of Indian welcome symbols.
Sameer Kulavoor recreates his daily experience of being tangled in technology and yearning for a change, a getaway.
A beautiful mess is the sign of a fun party. Ameya Kulkarni's icon system inspired after after party.
Kushal Wakkar pays tribute to the heroes of the Covid-19 pandemic — the doctors, who worked under extreme duress to help save lives. Part of his artist series - Thank You, Heroes.
Greet her in. Hitanshu Bhatt affirms — every knock on the door is an opportunity.
In a series dedicated to India's 'Holy Men', Ranganath Kishnamani highlights the variety of Sadhus we encounter - each of them are uniqueÊembodiments of the philosophies they believe in.
Avinash Jai Singh encourages you to accept your own imagination.
Shreyansh Agarwal's artwork is an exploration of Kabir's poem - what you see is not the truth. Illusion and reality can be completely disparate.
In her artist series - The Other Side, Tanaya Sharma takes us up the rabbithole to a dreamscape — as the crisp winter evening unfolds. Dressed in their yellow best, the Rabbit relaxes and the ducks lark about.
Shagun Puri's digital collage expresses how we all feel when we're not in the moment. Part of her artist series - Urbintage.
Gulab (rose) is from Mira Malhotra's suswagatam series: a contemporary yet colourful take on traditional INDIAN notions of hospitality & welcome symbols, combining popular flowers and the namaste gesture.
"There's nothing quite as black and white as you". Sachin Bhatt's artwork is inspired by an Until The Ribbon Breaks Song.
Kashmira Sarode creates a serene nocturnal floral dreamscape.
Some coffee, a pair of headphones, sketchbooks, pencils and colours _‰Û__ Tanvi Chunekar depicts the perfect recipe for a creative afternoon.
Janine Shroff's imagined future sees humankind achieve roach-like longevity.